Bach Bibliography Search Result

Author : Fabian, Dorottya
Max number of results shown : 300
Output sorted : serially (table)

Type	List	Author	Title[further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Fabian, Dorottya; Schubert, Emery	An experimental investigation of musical character portrayed by piano versus harpsichord performances of a J.S. Bach excerpt				2005	70-84
	2.	Fabian, Dorottya	A musicology of performance: theory and method based on Bach's solos for violin.				2015	ii, 339p
	3.	Fabian, Dorottya	Bach Performance Practice, 1945-1975: A Comprehensive Review of Sound Recordings and Literature.				2003	xiv, 314p
	4.	Fabian, Dorottya	Bach performance practice in the twentieth century: recordings, reviews and reception.	BachNachwelt	4		2005	157-167
	5.	Fabian, Dorottya	Commercial Sound Recordings and Trends in Expressive Music Performance: Why Should Experimental Researchers Pay Attention?	[ce]ExpressivenessMPerform			2014	58-79
	6.	Schubert, Emery; Fabian, Dorottya	A Taxonomy of Listeners' Judgements of Expressiveness in Music Performance.	[ce]ExpressivenessMPerform			2014	283-303
	7.	Fabian, Dorottya; Timmers, Renee; Schubert, Emery (eds.)	Expressiveness in music performance: Empirical approaches across styles and cultures.	[ce]ExpressivenessMPerform			2014	416p
	8.	Fabian, Dorottya	Is diversity in Musical Performance Truly in Decline? The Evidence of Sound Recordings.	Context		31	2006	165-180
	9.	Fabian, Dorottya; Schubert, Emery	Performed and perceived dotting are different: Implications for performance practice and pedagogy.	[cr]CIM04_Graz			2004	74-75
	10.	Bangert, Daniel; Fabian, Dorottya; Schubert, Emery	Doing without thinking? Aspects of musical decision-making revisited.	[cr]Vienna2013			2013	201
	11.	Fabian, Dorottya	J. S. Bach Recordings 1945-1975: St Matthew and St John Passions, Brandenburg Concertos and Goldberg Variations - A Study of the Changing Style of Performance in the Context of the Early Music Movement.	diss.			1998
	12.	Fabian, Dorottya	Towards a Performance History of Bach's Sonatas and Partitas for Solo Violin: Preliminary Investigations.	[fs]Somfai70			2005	87-108
	13.	Fabian, Dorottya	The Recordings of Joachim, Ysaÿe and Sarasate in light of their Reception by Nineteenth-Century British Critics.	IReviewAesthSociolM	37	2	Dec 2006	189-211
	14.	Fabian, Dorottya	Bach performance practice in the twentieth century: recordings, reviews and reception.	IrishMStud	8		2004	179-189
	15.	Fabian, Dorottya	Adalékok J.S. Bach szóló hegedûszonátáinak és -partitáinak elõadástörténetéhez.	MagyarZene	42	3-4	Oct 2004	311-335
	16.	Fabian, Dorottya	The Merits of Archival Research in Music: Reviews of The English Bach Awakening and Musical Entries at Stationers' Hall 1710-1818.	McolAustralia	28		2005-06	127-130
	17.	Fabian, Dorottya	Ornamentation in recent recordings of J.S. Bach's solo sonatas and partitas for violin.	MinAd	11	2	2013	1-21
	18.	Fabian, Dorottya; Schubert, Emery	Expressive devices and perceived musical character in 34 performances of Variation 7 from Bach's Goldberg Variations.	MScientiae		Special Issue	2003	49-71
	19.	Fabian, Dorottya; Schubert, Emery	Musical character and the performance and perception of dotting, articulation and tempo in 34 recordings of Variation 7 from J.S. Bach's Goldberg variations (BWV 988).	MScientiae	12	2	Fall-Winter 2008	177-206
	20.	Bangert, Daniel; Fabian, Dorottya; Schubert, Emery; Yeadon, Daniel	Performing solo Bach: a case study of musical decision-making.	MScientiae	18	1	Mar 2014	35-52
	21.	Fabian, Dorottya	The Changing Style of Performing J. S. Bach's Music 1950-1975.	[p]BCB_Birmingham			Jul 1996
	22.	Fabian, Dorottya	Bach recordings as a chronicle of performance style: in search of analytical tools for a critical assessment.	[p]BCB_Exeter			Jul 1998
	23.	Fabian, Dorottya; Ornoy, Eitan	Identity in violin playing on records: Interpretation profiles in recordings of solo Bach by early twentieth-century violinists.	PerformPractReview	14	1	2009	1-40
	24.	Schubert, Emery; Fabian, Dorottya	The dimensions of baroque music performance: a semantic differential study.	PsycholM	34	4	2006	537-587